Sunday, January 24, 2021

The Child’s Story

 Once upon a time, a good many years ago, there was a traveller, and he set out upon a journey. It was a magic journey, and was to seem very long when he began it, and very short when he got half way through.

He travelled along a rather dark path for some little time, without meeting anything, until at last he came to a beautiful child. So he said to the child, “What do you do here?” And the child said, “I am always at play. Come and play with me!”

So, he played with that child, the whole day long, and they were very merry. The sky was so blue, the sun was so bright, the water was so sparkling, the leaves were so green, the flowers were so lovely, and they heard such singing-birds and saw so many butteries, that everything was beautiful. This was in fine weather. When it rained, they loved to watch the falling drops, and to smell the fresh scents. When it blew, it was delightful to listen to the wind, and fancy what it said, as it came rushing from its home—where was that, they wondered!—whistling and howling, driving the clouds before it, bending the trees, rumbling in the chimneys, shaking the house, and making the sea roar in fury. But, when it snowed, that was best of all; for, they liked nothing so well as to look up at the white flakes falling fast and thick, like down from the breasts of millions of white birds; and to see how smooth and deep the drift was; and to listen to the hush upon the paths and roads.

They had plenty of the finest toys in the world, and the most astonishing picture-books: all about scimitars and slippers and turbans, and dwarfs and giants and genii and fairies, and blue-beards and bean-stalks and riches and caverns and forests and Valentines and Orsons: and all new and all true.

But, one day, of a sudden, the traveller lost the child. He called to him over and over again, but got no answer. So, he went upon his road, and went on for a little while without meeting anything, until at last he came to a handsome boy. So, he said to the boy, “What do you do here?” And the boy said, “I am always learning. Come and learn with me.”

So he learned with that boy about Jupiter and Juno, and the Greeks and the Romans, and I don’t know what, and learned more than I could tell—or he either, for he soon forgot a great deal of it. But, they were not always learning; they had the merriest games that ever were played. They rowed upon the river in summer, and skated on the ice in winter; they were active afoot, and active on horseback; at cricket, and all games at ball; at prisoner’s base, hare and hounds, follow my leader, and more sports than I can think of; nobody could beat them. They had holidays too, and Twelfth cakes, and parties where they danced till midnight, and real Theatres where they saw palaces of real gold and silver rise out of the real earth, and saw all the wonders of the world at once. As to friends, they had such dear friends and so many of them, that I want the time to reckon them up. They were all young, like the handsome boy, and were never to be strange to one another all their lives through.

Still, one day, in the midst of all these pleasures, the traveller lost the boy as he had lost the child, and, after calling to him in vain, went on upon his journey. So he went on for a little while without seeing anything, until at last he came to a young man. So, he said to the young man, “What do you do here?” And the young man said, “I am always in love. Come and love with me.”

So, he went away with that young man, and presently they came to one of the prettiest girls that ever was seen—just like Fanny in the corner there—and she had eyes like Fanny, and hair like Fanny, and dimples like Fanny’s, and she laughed and coloured just as Fanny does while I am talking about her. So, the young man fell in love directly—just as Somebody I won’t mention, the first time he came here, did with Fanny. Well! he was teased sometimes—just as Somebody used to be by Fanny; and they quarrelled sometimes—just as Somebody and Fanny used to quarrel; and they made it up, and sat in the dark, and wrote letters every day, and never were happy asunder, and were always looking out for one another and pretending not to, and were engaged at Christmas-time, and sat close to one another by the fire, and were going to be married very soon—all exactly like Somebody I won’t mention, and Fanny!

But, the traveller lost them one day, as he had lost the rest of his friends, and, after calling to them to come back, which they never did, went on upon his journey. So, he went on for a little while without seeing anything, until at last he came to a middle-aged gentleman. So, he said to the gentleman, “What are you doing here?” And his answer was, “I am always busy. Come and be busy with me!”

So, he began to be very busy with that gentleman, and they went on through the wood together. The whole journey was through a wood, only it had been open and green at first, like a wood in spring; and now began to be thick and dark, like a wood in summer; some of the little trees that had come out earliest, were even turning brown. The gentleman was not alone, but had a lady of about the same age with him, who was his Wife; and they had children, who were with them too. So, they all went on together through the wood, cutting down the trees, and making a path through the branches and the fallen leaves, and carrying burdens, and working hard.

Sometimes, they came to a long green avenue that opened into deeper woods. Then they would hear a very little, distant voice crying, “Father, father, I am another child! Stop for me!” And presently they would see a very little figure, growing larger as it came along, running to join them. When it came up, they all crowded round it, and kissed and welcomed it; and then they all went on together.

Sometimes, they came to several avenues at once, and then they all stood still, and one of the children said, “Father, I am going to sea,” and another said, “Father, I am going to India,” and another, “Father, I am going to seek my fortune where I can,” and another, “Father, I am going to Heaven!” So, with many tears at parting, they went, solitary, down those avenues, each child upon its way; and the child who went to Heaven, rose into the golden air and vanished.

Whenever these partings happened, the traveller looked at the gentleman, and saw him glance up at the sky above the trees, where the day was beginning to decline, and the sunset to come on. He saw, too, that his hair was turning grey. But, they never could rest long, for they had their journey to perform, and it was necessary for them to be always busy.

At last, there had been so many partings that there were no children left, and only the traveller, the gentleman, and the lady, went upon their way in company. And now the wood was yellow; and now brown; and the leaves, even of the forest trees, began to fall.

So, they came to an avenue that was darker than the rest, and were pressing forward on their journey without looking down it when the lady stopped.

“My husband,” said the lady. “I am called.”

They listened, and they heard a voice a long way down the avenue, say, “Mother, mother!”

It was the voice of the first child who had said, “I am going to Heaven!” and the father said, “I pray not yet. The sunset is very near. I pray not yet!”

But, the voice cried, “Mother, mother!” without minding him, though his hair was now quite white, and tears were on his face.

Then, the mother, who was already drawn into the shade of the dark avenue and moving away with her arms still round his neck, kissed him, and said, “My dearest, I am summoned, and I go!” And she was gone. And the traveller and he were left alone together.

And they went on and on together, until they came to very near the end of the wood: so near, that they could see the sunset shining red before them through the trees.

Yet, once more, while he broke his way among the branches, the traveller lost his friend. He called and called, but there was no reply, and when he passed out of the wood, and saw the peaceful sun going down upon a wide purple prospect, he came to an old man sitting on a fallen tree. So, he said to the old man, “What do you do here?” And the old man said with a calm smile, “I am always remembering. Come and remember with me!”


So the traveller sat down by the side of that old man, face to face with the serene sunset; and all his friends came softly back and stood around him. The beautiful child, the handsome boy, the young man in love, the father, mother, and children: every one of them was there, and he had lost nothing. So, he loved them all, and was kind and forbearing with them all, and was always pleased to watch them all, and they all honoured and loved him. And I think the traveller must be yourself, dear Grandfather, because this what you do to us, and what we do to you.
Charles Dickens

Tuesday, January 5, 2021

'Tis the season

 It's still Christmas until tomorrow :-)












(authors unknown)

Friday, January 1, 2021

Happy New Year


 ...said with a few Haikus:

New Year's fireworks this year -
the much much needed
luxury of hope.

New Year, new hopes and dreams,
new paths to follow,
don't get lost in your story.

In comes the new,
in comes the old in a new cloak,
ignored for so long.

Fireworks toasting New Year -
champagne for the soul -
getting light-hearted.

© Ludmila  

Thursday, December 24, 2020

Have a wonderful Christmas

Nebesia sa otvárajú a Svetlo, ktoré nám pred 2000 rokmi prinieslo Lásku & Pravdu, je tu zas. Krásne a požehnané Vianoce, priatelia.

Merry and blessed Christmas, my friends.

(author of picture unknown)

Wednesday, December 23, 2020

Christmas Tree


Original post: Vianočný stromček

I don't go to the attic often. I visit this kingdom of boxes, tucked in shadows, only a few times a year, and this is probably the most special occasion. I slowly climb the ladder. The only light for my careful legs comes from a small skylight. Filtered through the soft snow blown from above into the corners, it is milky white, softened, and edgelessly  smooth. I can easily find the boxes I'm looking for; we never put them far back, they have permanent reserves "in the first rows" just below the window. Their content is as fragile as the swiftly waning light; I have to hurry, the evening is coming. I take them and carry them down. They weigh almost nothing, and that is deceptive; if I'd drop them, it would be a disaster. I pile them into columns in the living room. They are the Christmas presents that have a new recipient every Christmas. It is already there, smelling of forest and winter, different every year, and yet always the same, sometimes with long needles, other times with short ones. I have the honor to be a mediator of the gift-giving, and I carry out my role with enthusiasm, pride, and appropriate seriousness, which includes a strict ban on everyone entering the room during the act of giving.

The tree stands in its usual place, fully professionally prepared, with an air of natural presence, as if he always belonged there, and the chair we moved for him was only saving a place for him during the year. It has to be close to the window of course; part of the overall Christmas panorama is that he is visible from the street. His presence alone, without ornaments, is festive already. A small piece of me wonders if the decorations inherited from dozens of others will fit him, but otherwise, I have no doubts. I get to work.

I start when it's still light outside; I play a Christmas fairytale on TV in the background, and when I'm lucky, my decorative operation is accompanied by quietly swaying snowflakes outside, hoarding on the windowsill. They embody Christmas peace and quiet, I feel their presence, even though we are separated by a window and a hot radiator.

The star on the treetop goes first. The sentimental myth of „putting it up at the very end“ is for amateurs. It would be impractical with a fully decorated tree. Most ideally it's fastened when the tree is not up yet. The same goes with fairy lights. Just like laundry pegs, they click down deep into the most prominent branches, so there is plenty of room for other ornaments. Fortunately, no light bulb is burned out this year, even though the paint is peeling off on many. What can I say – they're veterans, they've lit up many Christmases.

The tree is then tied up on a little nail hanging from the ceiling, so it doesn't fall, as it happened once a long time ago, where my fleeting memory of early childhood no longer goes. It is carefully adjusted so that the light cable reaches the plug.

That concludes the prologue of decoration; now it's time for the main symphony. The vanguards of the decorations are the candies. You want to put your sweets first, because they are the heaviest and need to be worked their way far back in the branches, preferably near the lights, where the branches are the firmest. Getting them to the right place requires focused maneuvering, and a last-minute questioning of the length of the decorative threads I tied onto them a few days ago. It is an annual tradition for me to think that the box of candies seems bottomless, and halfway through I always wonder if I ever fit more on the tree without disrupting their symmetrical distribution. But each time I get to the last one in the end; and then, with satisfaction, I put my needle-pricked hands on my sides and look at the candy glory from a distance. The tree looks bizarrely crowded around the trunk, and so it should - the first phase, the first layer.

Heavier candies follow. As for the hanging potential, they come with their own pathetic cobweb-like loops which tear when you breathe on them, thus contrasting greatly with the firm strings of the previous candies. They therefore require the utmost care; that means the careless branch-rending is over. With the gentleness of a hummingbird, they travel onto the delicate twigs – in the case of pines three or four powerful needles. Even with the utmost caution, I'm never 100% successful, so I replace torn loops with the same strings I used for previous candies. If I don't balance them well, they fall to the ground with a loud crash. But no matter how hard they try, I always win in the end, and the second phase of decorating is completed.

            In the third phase, things are getting serious. The following are the main stars of the evening (in the case of some ornaments literally), which honour us with their presence traditionally every year. This phase has also a strict hierarchy. First come the six largest baubles. It's a set, but not all of them are the same colour, therefore I hang them in a way that the colours are evenly spread. The most prominent ones get their place of honour at the end of the branches, where they are most visible. If you look at them closely, you'll see not only your bulging face but also a delicate web of cracks – a patina that has seen many Christmases and gained charm and memories gradually from all of them; ready to take a new dose. The more cracks on them, the richer they are.

I work my way through smaller and smaller baubles and lay them out evenly because there is no greater sin of sloppiness than the accumulation of the same baubles in one place. No set of veterans is complete anymore. Some have only two or three specimens. The boxes thus contain several types of ornaments, not just baubles; you know the drill – as a part of the space-saving, two half-empty boxes are consolidated into one.

Every year, a few newcomers are added to the veterans. The boxes are not dusty or damaged, the surface of the ornaments is not cracked, they shine with novelty and the glow of freshly fallen snow outside the window. The meeting is quick and smooth. No matter what their shape and colours are, they have no problem fitting in. The harmony of the new and the traditional works swimmingly on the Christmas tree, and the charm of an ancient fairy tale is not disturbed in any way by the novelty. Quite the opposite. It gives him a new zip.

As penultimate comes a turn of small decorations that are not baubles. Bells, stars, mushrooms (Yes, mushrooms too, made out of silver beads because - why not?). The tree already looks complete, although the final layer is still to come. There is no longer an unadorned twig on it, which would accidentally escape my attention. Everything is visually radared and documented. Even if it seems that somewhere in the back there is an overlooked space to discover for the last ornaments, I find on closer inspection that it is already occupied by three ornaments that I could not see from a distance; and any addition would exceed the weight capacity – thus causing a fatal bending of the branch and dramatic fall of the occupiers.

Despite the capacity doubts that could arise, each ornament will eventually find its place. The tree is complete, and yet something is still missing. The last phase of decorating comes to pass. Just like ribbons on a present, there comes the tinsel. Loose tinsel is as light as snow, and if you don't overdo it, it's not obtrusive and adds true sparkly magic to the overall look of the tree. Tinsel chains, carefully placed at the ends of the branches, help to shape it.

And finally - no act of decorating would be complete without final approval. The main lights in the living room go out, only the tree lights up, the door opens, family members are called in, which subsequently sing praises on how beautiful the tree looks. That brings the subtle art of tree decorating to an end. The tree lights go out, and the normal lighting is switched on - the tree is allowed to lit up before Christmas Eve only for the final approval.

Before tidying away the empty boxes, I beam at the tree once more. I like that he is multi-coloured and not just pure white or gold-red, as it is a trendy monolithic fashion. I like that the tree looks the same every year, even though he is always unique. The decorations are never in the same places as the previous year, but I never have the impression that they are in the wrong spots. The tree, in his beauty, roots deeply in our living room for two weeks like a fairy-tale creature. His roots run deeper than the pedestal on which he stands, and his top with the star extends higher than the ceiling. His magic can move what is gentle in us if we let it. Let us be amazed again, in a child-like fashion. Let our spirit allow us to reach into the ancient timelessness, where things are constant and indelible. The tree with his rich variety of ornaments is a collection of symbols that affect us in some way, and the biggest, under his lowest branches, is the symbol of giving and receiving. Giving and receiving on a much softer and higher level of Light, if we open up to it. Let us lit up the Fairy lights and let them glow in the dark. And let us rejoice in them.

 

© Ludmila
     (author of picture unknown)
 

Tuesday, December 22, 2020

Vianočný stromček

 

Hore na pôjd nechodím často. Kráľovstvo škatúľ zapadnutých v pološere navštívim iba párkrát za rok, a toto je asi tá najvýnimočnejšia príležitosť. Pomaly stúpam hore po rebríku. Jediné svetlo pre moje opatrné nohy prichádza z malého strešného okna. Prefiltrované cez hebký sneh, ktorý navialo zhora do rohov, je mliečnobiele, zjemnené, a akoby bez hrán. Škatule, ktoré hľadám, nájdem ľahko; nikdy ich nedávame ďaleko dozadu, majú permanentné reservé „v prvých radoch“ hneď pod oknom. Farby majú dokonca vyťahané od slnka. Ich obsah je krehký ako svetlo, ktorého rýchlo ubúda; musím sa ponáhľať, blíži sa večer. Vezmem ich a znášam ich dole. Nevážia skoro nič, a to je zavádzajúce, keby mi spadli, bola by to katastrofa. Naukladám ich v obývačke do komínov. Sú to vianočné darčeky, ktoré majú každé Vianoce nového prijímateľa. Už tam stojí pripravený, voňajúci lesom a zimou, každý rok iný, a predsa vždy rovnaký, raz s dlhými ihlicami, raz s krátkymi. Mám tú česť byť sprostredkovateľom odovzdania darov a svojej úlohy sa zhostím s nadšením, hrdosťou a patričnou serióznosťou, ktorá zahŕňa prísny zákaz vstupu každého do izby počas aktu odovzdávania.

            Stromček stojí na svojom zvyčajnom mieste, plne profesionálne pripravený, a s nenútenou samozrejmosťou akoby tam patril stále, a kreslo, ktoré sme preňho odsunuli, mu počas roka iba držalo miesto. Samozrejme, musí byť blízko okna, súčasťou celkovej vianočnej panorámy je aj to, že ho vidno z ulice. Už len jeho prítomnosť takého aký je, bez ozdôb, je slávnostná. Malý kúsok niekde vo mne je zvedavý, či ozdoby zdedené po desiatkach iných mu budú pasovať, ale inak pochyby nemám. Dám sa do práce.

            Začínam, keď je vonku svetlo, na videu si do pozadia pustím nejakú vianočnú rozprávku, a keď mám šťastie, sprevádzajú moju činnosť vonku za oknom nehlučne sa hojdajúce sa snehové vločky, kopiace sa na parapete. Stelesňujú vianočný pokoj a mier, mám pocit ich blízkosti, aj keď nás oddeľuje okno a horúci radiátor.

            Hviezda ide ako prvá. Mýtus, že sa dáva až na konci je pre amatérov. Bolo by to nepraktické pri plne vyzdobenom stromčeku. Najideálnejšie sa upevní, ešte keď nie je stromček vztýčený. To isté so svetielkami. Na princípe štipca sa zacvaknú hlboko do najprominentnejších vetví, aby bolo miesto na ostatné ozdoby. Našťastie žiadna žiarovka nie je toho roku vypálená, aj keď sa na mnohých už odlupuje farba. Čo dodať, sú to veteráni, rozžiarili už mnoho Vianoc.

            Osadený stromček sa potom uviaže hore o klinček aby nespadol, ako sa to stalo raz dávno, kam moja prchavá pamäť raného detstva už nesiaha. Starostlivo sa nasmeruje tak, aby kábel svetielok dočiahol na zástrčku.

            Prológ zdobenia mám za sebou, je načase rozohrať vlastnú symfóniu. Predvojom ozdôb sú salónky. Celkovo cukrovinky chcete dať ako prvé, lebo sú najťažšie a treba ich prepracovať ďaleko dozadu vetiev, najlepšie blízko svetiel, kde sú vetvy pevnejšie. Dostať ich na správne miesto vyžaduje sústredené manévrovanie, keď na poslednú chvíľu spochybňujem dĺžku ozdobných nitiek, ktoré som na ne pred pár dňami uviazala. Je to už každoročnou tradíciou, že sa mi škatuľa salónok zdá bezodná, a asi tak v polovici mám vždy pocit, že sa už viac na stromček nezmestí, aby sa zároveň nenaručilo ich symetrické rozloženie. Ale vždy sa nakoniec dostanem až k poslednej; a potom si so zadosťučinením dám ruky dopichané od ihličia v bok a pozriem sa s odstupom na tú salónkovú slávu. Stromček vyzerá bizarne preplnený okolo kmeňa, a tak to má byť – prvá fáza, prvá vrstva.

            Nasledujú kolekcie. Čo sa týka vešavého potenciálu, značne kontrastujú pevným šnúrkam salónok svojimi žalostnými pavučinkovými uškami, ktoré sa roztrhnú, keď na ne dýchnete. Vyžadujú preto najväčšiu opatrnosť, takže salónkovému kmásaniu vetví je koniec. S jemnosťou kolibríka putujú na delikátne vetvičky, v prípade borovíc tri alebo štyri mocné ihlice. Ani pri najväčšej opatrnosti nie som nikdy stopercentne úspešná, takže roztrhnuté ušká nahrádzam rovnakými šnúrkami, ktoré som použila na salónky. Ak ich dobre nevybalancujem, vypadnú zo slučky a s rachotom dopadajú na zem. Ale nech sa snažia ako vládzu, vždy vyhrám nakoniec ja, a druhá fáza zdobenia sa zavŕši.               Pri tretej fáze už ide do tuhého. Nasledujú hlavné hviezdy večera (v prípade niektorých ornamentov doslova), ktoré nás ctia svojou prítomnosťou už tradične každý rok. Toto je ich čas a priestor. Aj táto fáza má prísnu hierarchiu. Najprv šesť najväčších gulí. Je to sada, ale nie všetky sú rovnakej farby, tak ich vešiam tak, aby boli farby rozmiestnené rovnomerne. Najprominentnejšie dostanú čestné miesto na konci vetví, kde sú najviditeľnejšie. Ak sa na ne pozriete zblízka, uvidíte nielen svoj vypúlený obraz, ale aj jemnú pavučinu prasklín, patinu, ktorá videla už mnoho Vianoc a nabrala čaro a prežitia postupne zo všetkých, pripravená nabrať novú dávku. Čím viac prasklín, tým bohatšie sú.

            Postupne sa prepracovávam guľami, ktoré sú menšie a menšie a rovnomerne ich rozmiestňujem lebo niet väčšieho hriechu lajdáckosti ako nahromadenie rovnakých gúľ na jedno miesto. Žiadny set starých veteránov už nie je kompletný. Niektoré majú iba dva-tri exempláre. Škatule tak obsahujú viacero druhov ozdôb, a to nielen gulí; veď to poznáte, vrámci šetrenia priestoru sa dve poloprázdne škatule skonsolidujú do jednej.

            Každý rok medzi veteránov pribudne aj zopár nových príchodiacich. Škatule nezaprášené a nenatrhnuté, povrch ozdôb nepopraskaný, skvejúci sa novosťou a čerstvosťou ako práve napadnutý sneh vonku za oknom. Zoznámenie je rýchle a bezproblémové. Bez ohľadu na to akého sú tvaru a farieb, nemajú problém zapadnúť. Harmónia nového a tradičného funguje aj na vianočnom stromčeku, a čaro prastarej rozprávkovosti nie je nijako narušené novosťou. Práve naopak. Dáva mu nový šmrnc.

            Ako predposledné prídu na rad drobné ozdoby, ktoré nie sú gule. Zvončeky, hviezdičky, hríby (Áno, aj hríby, zložené zo strieborných koráliek lebo – prečo nie?). Stromček už vyzerá kompletný, aj keď ešte príde na rad záverečná vrstva. Už sa na ňom nenájde jedinej neozdobenej vetvičky, ktorá by omylom unikla pozornosti. Všetko je vizuálne zradarované a zdokumentované. Aj keby sa zdalo, že idem niekde vzadu dole objaviť prehliadnuté miesto na posledné ozdoby, zistím po bližšej obhliadke, že ho už okupujú tri ornamenty, ktoré z diaľky vidno nie je, a akýkoľvek ďalší prídavok by presiahol hmotnostnú kapacitu, spôsobil fatálne ohnutie vetvy a dramatický pád okupantov.

            Napriek kapacitným pochybnostiam, ktoré by mohli vyvstať, každá ozdoba si nakoniec nájde svoje miesto. Stromček je kompletný, a predsa ešte nie. Nasleduje posledná fáza zdobenia. Ako stuhy na darčeky prichádzajú strieborné reťaze a pozlátko, alebo „postriebro“, lebo pozlátko má menu neprimerane farbu striebornú. Je ľahké ako sneh, a keď to nepreženiete, je nenápadné a pridá celkovému výzoru stromčeka to pravé ligotavé čaro. Reťaze opatrne položené na konce vetví ho zasa pomáhajú vytvarovať.

            A nakoniec – žiadny akt zdobenia by nebol úplný bez záverečnej kolaudácie. Zhasnú sa hlavné svetlá v obývačke, rozsvieti sa iba stromček, dvere sa otvoria, zvolajú sa členovia rodiny, ktorí pochvália ako krásne stromček vyzerá. Tým sa dielo zdobenia zavŕši. Stromček sa zhasne a zapáli sa normálne osvetlenie – stromček má povolenie rozsvietiť sa pred štedrou večerou iba na kolaudáciu.

            Pred odprataním prázdnych škatúľ sa na stromček ešte raz rozžiarene zahľadím. Páči sa mi, že je taký plnofarebný, a nie iba čisto biely alebo iba zlato-červený ako sa to teraz moderne štýlovo monolitne zvykne ladiť. Mám rada, že stromček vyzerá každý rok rovnako, aj keď je vždy jedinečný. Ozdoby nie sú nikdy na tých istých miestach ako pred rokom, nikdy však nemám pocit, že sú na miestach nesprávnych. Stromček sa vo svojej kráse u nás zakorení na dva týždne ako rozprávková bytosť. Jeho korene vedú hlbšie než podstavec, na ktorom stojí, a jeho špic s hviezdou siaha vyššie než po povalu. Jeho čarovnosť dokáže rozochvieť to najjemnejšie v nás, ak ho necháme. Dovoľme si byť znovu detsky užasnutí. Dovoľme svojím duchom siahnuť do prastarej bezčasovosti, kde sú veci stále a nepominuteľné. Stromček so svojimi bohatými ornamentmi je kolekciou symbolov, ktoré na nás nejako pôsobia, a tým najväčším je symbol dávania a prijímania pod jeho najspodnejšími vetvami. Dávanie a prijímanie aj na omnoho jemnejšej a vyššej úrovni Svetla, ak sa otvoríme. Rozsvieťme „vílie svetielka“ ako sa malým farebným svetielkam hovorí, a to nielen na stromčeku, a nechajme ich žiariť do tmy. A radujme sa z nich. 


     © Ludmila
     (author of picture unknown)